Male Submission Art

Art and visual erotica that depicts masculine submission.

We showcase beautiful imagery where men and other male-identified people are submissive subjects. We aim to challenge stereotypes of the "pathetic" submissive man. Learn more….

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Original work is licensed under a Creative Commons Attribution 3.0 Unported License. We make a concerted effort to attribute works properly; please show us, and the artists whose work we feature, the same courtesy. Please redistribute this work; you are not stealing.

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Mon Dec 23
Dominants play to win. Submissives play to lose. Rolequeers play to quit the game.

The term “rolequeer” was coined by Relsqui in 2011, first popularized by maymay via Twitter, and has up to this point primarily been theorized by R. Foxtale, in conjunction with maymay and others. It was first explored publicly by Kristen Stubbs at a Transcending Boundaries 2012 workshop entitled “Queering Role in BDSM Play.” Key discussions of the concept can be found at bandanablog.wordpress.com and malesubmissionart.com.

“Rolequeer” was initially conceived of as an identity within the context of the BDSM subculture, but it ultimately extends beyond that scene’s narrow bounds and describes the experience of many people who have little or no association with BDSM. At its most fundamental level rolequeerness is about “queering” — or disrupting binary notions of — human relationships to power.

There is a widely held belief in both BDSM and mainstream culture that the erotic is dependent on a power differential, on the tension between and ultimate overpowering of a “passive” participant by an “active” participant. Radical feminism rejects this notion of the erotic as fundamentally rooted in oppressive hierarchy. And rolequeerness begins by drawing on that rejection, but it goes further, theorizing possibilities for complex, agentic, and ultimately liberating erotic interface with various positional orientations towards power. (As opposed to the suggestion by contemporary radfems that we should simply somehow eliminate power dynamics from our play.)

In conjunction with troubling the “Dominant/Submissive” — or Powerful/Vulnerable — binary, rolequeerness also complicates binary opposition between “sex” vs. “violence” and the binary opposition between “abusive” vs. “consensual”, arguing that these can never be cleanly differentiated categories within a holistically coercive and violent oppression culture. It points out that, if we are truly concerned about respecting each others’ agency, we must insist on a higher bar for “obtaining consent” from our fellow humans than simply being granted permission to treat each other in violent and abusive ways.

As with other types of queerness, “rolequeer” does not simply refer to how we play in the bedroom or at the club; it describes our relationship to the world around us, to the roles that we have been handed via our positionalities within oppression culture.

Ultimately, rolequeerness centers acts of self-liberation and co-liberation by encouraging (and eroticizing) a traitorous relationship to our own power and a compassionate celebration of each others’ vulnerabilities. Rolequeerness provides a methodological framework for “downward mobility” inside the power gradient of oppression culture. As such, rolequeers refuse to accept cultural capital as a consolation prize for victimization. We maintain that, in a culture in which power corrupts, choosing vulnerability is a move toward freedom.

Rolequeers are submissive as fuck and cocky as hell about it. Break the cycle. Quit the game.

- Bandana Blog - Rolequeer: Defining Our Terms

(via unquietpirate)

(via maymay)